
by DJ Nae, Co-Host of Common People
Best known for their heavily influential album Yankee Hotel Foxtrot, Wilco exemplifies the genre of Alt-country but also takes it to a weird place. This is all conveyed from the view of fan-girl that idolized the group during her most musically influential years. After a confusing latter chapter of the bands career (see post A Ghost is Born years), I had not paid attention to their newest release. Sky Blue Sky, featured in various car adverts, marked a decline that would culminate in a self-titled album that even Wilco super-fans didn’t really like. You really have to take a moment to reflect when you’re buying the newest album of your indie-heroes in a Starbucks, even if they have been on a major label for years. Yet, the new album The Whole Love marked a regression to what worked for the band. With a re-sparked interest and a tiny grudge against ticket prices, I headed to Spokane on February 6th to witness a band that I had once idolized age gracefully before my eyes.





